Events
Please find below a selection of concerts around the country, and sometimes beyond, featuring woodwind instruments. If you have a concert that you think might be relevant for listing on our page, please ‘Get in Touch’ with the details and a link to the booking page.
Ensemble Double Sens – Bach
April 1st 2025 at 20:00 – 21:30
Nemanja Radulović | violon
Sébastien Giot | hautbois
Ensemble Double Sens
Violin virtuoso Nemanja Radulović and his Double Sens ensemble this time embark on a program entirely dedicated to Bach. The four works in this program follow the classic structure of baroque concertos, with different contrasting movements highlighting both the soloists and the orchestra. Each piece in this repertoire offers technical and artistic challenges for musicians, while revealing the musical depth and melodic richness characteristic of Bach’s unique style. An exceptional musical moment in perspective, combining the passion and virtuosity of these renowned artists in the interpretation of the timeless masterpieces of the great baroque master.
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SCO – Mozart & Strauss
03/04/2025 2:00 pm
The Queen's Hall, 85-89 Clerk Street, Newington, Edinburgh, EH8 9JG
SCO – Mozart & Strauss
April 3rd 2025 at 14:00 – 15:30
Francois Leleux conductor / oboe
Cerys Ambrose-Evans Bassoon
Zedginidze Symphony No. 1 (Scottish Premiere)
Mozart Bassoon Concerto
R Strauss Serenade for Winds, Op 7
R Strauss Symphony No. 1 in D minor
Unfailingly charming and breathtakingly expressive, Francois Leleux delivers profound musical insights and high drama as both oboist and conductor. His matinee programme with the SCO is one of discoveries, written by teenage composers.
SCO Principal Bassoon Cerys Ambrose-Evans is the soloist in the expressive, cheeky concerto that Mozart composed aged 18, while Richard Struass blends influences from Mozart and Medelssohn in the richly lyrical Serenade for 13 wind instruments he wrote as a 17-year-old. His passionate, poewrful Symphony comes from a year earlier, but Georgian teenager Tsotne Zedginidze – born as recently as 2009 – has already been celebrated as a major musical prodigy.
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SCO – Mozart & Strauss
April 4th 2025 at 14:00 – 15:30
Francois Leleux conductor / oboe
Cerys Ambrose-Evans Bassoon
Zedginidze Symphony No. 1 (Scottish Premiere)
Mozart Bassoon Concerto
R Strauss Serenade for Winds, Op 7
R Strauss Symphony No. 1 in D minor
Unfailingly charming and breathtakingly expressive, Francois Leleux delivers profound musical insights and high drama as both oboist and conductor. His matinee programme with the SCO is one of discoveries, written by teenage composers.
SCO Principal Bassoon Cerys Ambrose-Evans is the soloist in the expressive, cheeky concerto that Mozart composed aged 18, while Richard Struass blends influences from Mozart and Medelssohn in the richly lyrical Serenade for 13 wind instruments he wrote as a 17-year-old. His passionate, poewrful Symphony comes from a year earlier, but Georgian teenager Tsotne Zedginidze – born as recently as 2009 – has already been celebrated as a major musical prodigy.
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SCO – Mozart & Strauss
05/04/2025 2:00 pm
Aberdeen Music Hall, Union Street, Aberdeen, AB10 1QS
SCO – Mozart & Strauss
April 5th 2025 at 14:00 – 15:30
Francois Leleux conductor / oboe
Cerys Ambrose-Evans Bassoon
Zedginidze Symphony No. 1 (Scottish Premiere)
Mozart Bassoon Concerto
R Strauss Serenade for Winds, Op 7
R Strauss Symphony No. 1 in D minor
Unfailingly charming and breathtakingly expressive, Francois Leleux delivers profound musical insights and high drama as both oboist and conductor. His matinee programme with the SCO is one of discoveries, written by teenage composers.
SCO Principal Bassoon Cerys Ambrose-Evans is the soloist in the expressive, cheeky concerto that Mozart composed aged 18, while Richard Struass blends influences from Mozart and Medelssohn in the richly lyrical Serenade for 13 wind instruments he wrote as a 17-year-old. His passionate, poewrful Symphony comes from a year earlier, but Georgian teenager Tsotne Zedginidze – born as recently as 2009 – has already been celebrated as a major musical prodigy.
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Klaus Mäkelä conducts Ravel, Bartók and Connesson Oboe and Flute Concertos
16/04/2025 8:15 pm
Het Concertgebouw, Concertgebouwplein 10, 1071 LN Amsterdam, Netherlands
Klaus Mäkelä conducts Ravel, Bartók and Connesson Oboe and Flute Concertos
April 16th 2025 at 20:15 – 21:45
Klaus Mäkelä – chief conductor designate
Emily Beynon – principal flute
Ivan Podyomov – principal oboe
The Concertgebouw Orchestra, conductor Klaus Mäkelä and two of the orchestra’s soloists transport you to distant worlds. Fairy tales by Ravel and Bartók and two works by the contemporary sound wizard Guillaume Connesson: four pieces of music to take in visually.
Klaus Mäkelä invites listeners to use their ears and eyes. Maurice Ravel, a master of ‘visual’ composition, could depict exotic settings and fairy-tale atmospheres with razor-sharp precision. In the rarely performed orchestral miniature Shéhérazade, we are transported to the world of The Thousand and One Nights. Ravel’s compatriot Guillaume Connesson is a contemporary sound wizard. His works sound almost cinematic, not least because of their highly refined orchestration. In addition to his recent oboe concerto, entitled Les belles heures, with Ivan Podyomov as soloist, the programme features the brand-new flute concerto he composed especially for the Concertgebouw Orchestra and its principal flautist Emily Beynon. It’s the perfect opportunity to discover for yourself why Connesson’s exciting music appeals to such a wide audience.
The programme contrasts French sophistication with Hungarian horror by Béla Bartók. In The Miraculous Mandarin, Bartók managed to express in music the more primitive side of modern civilisation. This grim fairy tale sounds just as exciting – and alarming – as it did 100 years ago.
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Klaus Mäkelä conducts Ravel, Bartók and Connesson Oboe and Flute Concertos
17/04/2025 8:15 pm
Het Concertgebouw, Concertgebouwplein 10, 1071 LN Amsterdam, Netherlands
Klaus Mäkelä conducts Ravel, Bartók and Connesson Oboe and Flute Concertos
April 17th 2025 at 20:15 – 21:45
Klaus Mäkelä – chief conductor designate
Emily Beynon – principal flute
Ivan Podyomov – principal oboe
The Concertgebouw Orchestra, conductor Klaus Mäkelä and two of the orchestra’s soloists transport you to distant worlds. Fairy tales by Ravel and Bartók and two works by the contemporary sound wizard Guillaume Connesson: four pieces of music to take in visually.
Klaus Mäkelä invites listeners to use their ears and eyes. Maurice Ravel, a master of ‘visual’ composition, could depict exotic settings and fairy-tale atmospheres with razor-sharp precision. In the rarely performed orchestral miniature Shéhérazade, we are transported to the world of The Thousand and One Nights. Ravel’s compatriot Guillaume Connesson is a contemporary sound wizard. His works sound almost cinematic, not least because of their highly refined orchestration. In addition to his recent oboe concerto, entitled Les belles heures, with Ivan Podyomov as soloist, the programme features the brand-new flute concerto he composed especially for the Concertgebouw Orchestra and its principal flautist Emily Beynon. It’s the perfect opportunity to discover for yourself why Connesson’s exciting music appeals to such a wide audience.
The programme contrasts French sophistication with Hungarian horror by Béla Bartók. In The Miraculous Mandarin, Bartók managed to express in music the more primitive side of modern civilisation. This grim fairy tale sounds just as exciting – and alarming – as it did 100 years ago.
Click on the button below to purchase ticket.