
About Howarth
Howarth of London is a specialist woodwind instrument maker and retailer. Known all over the world as makers of the finest oboes, oboes d’amore and cors anglais, our instruments are made in our dedicated manufacturing workshops in Worthing, West Sussex.
We use high-tech CNC machinery to make precision components for our instruments which are then hand-assembled by highly experienced technicians into our beautiful instruments.
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We want to make it as easy as possible for you to hire an instrument. Our rental options allow you to have an instrument in a range of situations.

Long Term Rental
Hire an instrument while you discover about learning, without the up front cost of buying an instrument.

Short Term Rental
Hire an instrument just for a week or two in case of an emergency or for a special concert.
Upcoming Events

May 25th 2025 at 20:00- 21:30
Programme
Walton – Three Façade Settings for Voice and Piano
Messiaen – Trois Mélodies for Soprano and Piano
Barber – Hermit Songs, Op. 29 for Voice and Piano
Spohr – Six German Songs, Op. 103 for Voice, Clarinet and Piano
Grieg – Six Songs, Op. 48 for Voice and Piano
Hanna-Elisabeth Müller – soprano
Daniel Ottensamer – clarinet
Juliane Ruf – piano
“Songs are like small operas into which you can infuse many colours,” asserts Hanna-Elisabeth Müller. Young in years, yet rich in success, the soprano always devotes particular attention to the programs of her song recitals.
A multifaceted approach is guaranteed in Hanna-Elisabeth Müller’s performances. No orchestra, no backdrop, no costume – there’s nowhere to hide in a song, admits the Mannheim native. The intimate atmosphere of this very special art form is also created for her by the close proximity to the audience. In addition to her long-time piano partner Juliane Ruf, she will also perform in Cologne with clarinettist Daniel Ottensamer, the celebrated soloist and member of the Vienna Philharmonic.
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Trio Abstrakt
26/05/2025 7:30 pm
Centro Nacional de Difusión Musical, Calle del Príncipe de Vergara, 146 - 28002 Madrid
Trio Abstrakt
May 26th 2025 at 19:30
Georges Aperghis – Trio funambule
José Luis Perdigón – Ill-use
Franck Bedrossian – Piece to be determined
Alberto Posadas – Trío para saxofón, piano y percusión
Isabel Mundry – Piece to be determined
Trio Abstrakt
Salim(a) Javaid – saxophone
Marlies Debacker – piano
Alexandre Ferreira Silva – percussion
Trio Abstrakt is a love letter to new chamber music. For over 8 years, the ensemble has devoted itself with the utmost precision and dedication to demanding contemporary chamber music from the last three decades. As the creative home of musicians Salim(a) Javaid (saxophone), Marlies Debacker (piano), and Alexandre Ferreira Silva (percussion), the trio combines chamber music tradition with a continuous engagement with the present.
The ensemble aims to bring “music of today” to life, relying on a non-hierarchical collaboration with composers. In this collaborative process, extensive new works emerge that explore the sonic possibilities of modern chamber music performance.
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Sabine Meyer & Friends
27/05/2025 7:30 pm
St. Michael's Church, Engl. Planke 1, 20459 Hamburg, Germany
Sabine Meyer & Friends
May 27th 2025 at 19:30 – 21:30
Programme
Ensemble Reflektor
Weber – Concertino in Es-Dur
Richard Strauss – Duett-Concertino for Clarinet, Bassoon and Orchestra
Vaughan Williams – Flos Campi. Suite for Viola, Chamber Choir and Orchestra
Sabine Meyer, Clarinet
Dag Jensen, Bassoon
Nils Mönkemeyer, Viola
“One of the greatest interpreters of our time,” “a global star with heart,” “the first lady of the clarinet”: there’s no shortage of superlatives when it comes to Sabine Meyer. And rightly so, because the clarinetist is one of the most outstanding artists of all time. For more than 40 years, she has not only performed as a celebrated soloist on the world’s stages, but is also considered one of the most important advocates of her instrument. But now a small but painful farewell for the music world is imminent: Sabine Meyer is bidding farewell to the big stages with orchestras. In the future, she will primarily be heard in chamber music concerts. But before that final date, she fortunately has a guest appearance in Wiesbaden on her calendar. The fact that she then brings another soloist to her side for Richard Strauss’s charming Duet Concertino is typical of the clarinettist. Because making music, as Sabine Meyer has always emphasized in her admirably unpretentious manner and in all her countless artistic projects, would be unthinkable without community.
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